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Perverse Teleportation (2019)

by Nostril Caverns

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1.
A CHILD BORN WITH POWERS FOR YEARS THEY GO UNTRAINED THROUGH THE TRANSFORMATION OF PUBERTY THE AWAKENING UNABLE TO RESTRAIN FILLED WITH PERVERTED THOUGHTS THE MAGIC BEGINS TO COALESCE DISGUST AND OBSESSION TO REACH THE END PATHS BECOME CLEARER GAINING EXPERIENCE GRASPING REALITY
2.
3.
SPECIFIC FORMATIONS SHAPES THAT PLEASE THE MIND COMBINING SIGHT AND TOUCH SENSUAL OVERLOAD OBTAINED THROUGH TRICKERY CONVOLUTED HONESTY THE IMPORTANCE OF THE JOURNEY TO REAP THE PRIZE WORTHY FOR AN INSTANT THE JOINING OF HATE AND DESIRE, CREATING THE MOST POWERFUL FEELING LOGIC AND MORALITY BEGIN TO FADE AWAY UNTIL SEXUAL BLISS HAS BEEN ACHIEVED
4.
5.
HARNESSING THE POWER FROM WITHIN, STILL DISORGANIZED AND GREEN SO HOPEFUL AND PURE, FOR SOMETHING SO SICK AND SEEMINGLY UNNECESSARY A TRAIT THAT WAS GIVEN FOR THIS REASON SELFISH SATIATION GLORIOUS RELEASE LIFE NEVER FELT SO GOOD
6.
7.
THE ABSENCE OF TOUCH, A NECESSARY COMPROMISE THE ACQUIRED SENSATIONS CAN BE EVEN MORE INTENSE WITHOUT THE NUANCES AND STIPULATIONS THAT EXIST WITH AN EXTRA BODY EVOLVING SKILLS NO DISTRACTIONS UNINTERRUPTED ECSTASY
8.
9.
UNREQUITED FANTASY UNCONDITIONALLY YOURS A CRUCIAL COMPONENT THOUGH UNKNOWINGLY INTEGRAL HIDDEN AGENDA AVOIDING THE MENTAL SCARS AT ALL COSTS
10.
11.
SUBMERSED IN THOUGHT, EXISTING IN DREAMS WEIGHING ALL OF THE POSSIBILITIES INFINITE OUTCOMES, WHERE IS THE THRESHOLD HOW MUCH DISPLEASURE CAN THE SENSES HANDLE EXQUISITE SIGHT WITH OVERWHELMING AROMAS? A FITTING SCENARIO FOR THE DESPICABLE DAYDREAM SPECULATION ACTION AND REACTION AAHH
12.
13.
Insecurities 01:47
CLOAKED IN ANOTHER'S INSECURITIES TO BE ATTRACTIVE, TO BE DESIRED THIS IS WHAT WE BOTH WANT IGNORANCE IS LITERAL BLISS CONCOCTING THE ESSENCE OF LIFE FROM ANOTHER'S OBLIVIOUS INSECURITIES THIS IS WHAT WE BOTH WANT
14.
15.
HARNESSED PREPARATIONS ACHIEVED THE MEANING OF EXISTENCE EXCITEMENT THE THRILL OF ANTICIPATION MELTING MATTER AND ENERGY TIME AND SPACE REFLECT ON THE PAST IT ALL LEAD TO THIS POINT REDEMPTION
16.
17.
TO DISAPPEAR AND REAPPEAR AT WILL CONNECTED DIRECTLY TO THE MIND ADAPTING TO EVERY QUIRK FULFILLING EVERY DESIRE HIDDEN SEEING EVERY ANGLE, EVERY SHAPE IN OVERWHELMING EXTRA-REALISTIC DETAIL FEEDING DIRECTLY INTO THE EYES UNKNOWINGLY ABUSED BY LIGHT
18.
19.
NO REGRETS A GIFT FROM WITHIN A CONSOLATION UNTIL TIME ENDS QUESTIONABLE METHODS OF THE PERVERSE AAHH
20.

about

FULL ALBUM LIVE RECORDING VIDEO OF ALL INSTRUMENTS AND VOCALS: youtu.be/01iaF-zvpNk

- guitars written in 2018 and 2019
- drums, lyrics, keyboards written in 2019
- all instruments and vocals recorded in 2019, each on their own day
(drums were written and recorded on the same day)
- mixdowns finished on March 5, 2019

This album is split into two halves: brutal dissonant melancholic black metal (the odd-numbered tracks), and melancholic dungeon synth (the even-numbered tracks). I started this album in 2018 when I quickly wrote some riff ideas on a couple different occasions. The riffs sat for a while until I decided to finish the album in 2019.

Despite being recorded with distortion, all of the guitars were written on my electric guitar while it was unplugged, so it basically acted like an acoustic guitar, which affected the songwriting. There's no tremolo picking, no palm mutes, and literally every riff has ringing notes that give the songs a dreamy quality (and two songs were finger-picked). The drumming, however, is relentless brutality with lots of blast beats, double kick, and some wild fills. For the vocals, I usually record a couple lines at a time and take drinks of water in between, but this time I recorded a whole song without stopping and left spaces in the lyrics where I could take a drink. The dungeon synth songs are simple and sad-sounding, and I occasionally used a delay pedal with my keyboard.

This album also has a raw and minimalistic feeling: the black metal songs only have drums/guitars/vocals with no tempo changes during a song and no guitar harmonies or extra layers, and the dungeon synth songs use only one keyboard track with no extra layers or post-effects. All instruments and vocals were recorded in a full take with no overdubs, punch-ins, timing manipulation, quantization, copy/paste, etc., and no triggers or samples were used on the drums.

credits

released March 7, 2019

Chris Balch - guitars, drums, vocals, keyboards

license

all rights reserved

tags

about

Nostril Caverns Milton, Ontario

NOSTRIL CAVERNS is Chris Balch since 1997.

CORA CANNING is Dave and Chris since 1999.

death/black/grind/
math/experimental/
tech/prog/improv/
avantgarde/jazz/rock

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